1. We need a clear view of the key features in the new language that are different from English. I explain these at the very start of the first lesson. I say something like When we learn a new language, we are not just learning new words, but how different people say things, and give examples such as bonjour as good day rather than hello. I also tell children to say no in English and feel their tongue against the top of their mouth at the front (I’d say palate if they knew palate). Then drop their tongue to say the n in bonjour. I tend to be as specific about that as about everything else, and, once it’s clear, to practise.
2. The most important point in French is that spoken language flows, written language must be precise. The two main ways the French do this are:
Not pronouncing consonants at the ends of words chat, vert, grand, loup. Note that this is what usually happens, not what always happens (eg sept, huit). The French sometimes add letters to the ends of words, usually e and s, to obtain precision.
Avoiding a vowel clash (glottal stop) by deleting a vowel, usually from the end of the first word:
Je ai Ø J’ai la ėcole Ø l’ėcole Je me appelle Ø Je m’appelle
I see the main features in Spanish as its general regularity – writing down exactly what we hear will take us 90% of the way there. The only snag is that j, z, c do not produce same sounds as in English. When we have a double letter in Spanish, ll rr, or ñ, we can hear it.
3. I explain, demonstrate and practise these features in early lessons, beginning with colours, numbers, days etc. As meaning here is very easy, children can give all of their attention to the new features – eg j in rojo, z in azul, ll in amarillo.
4. To write, pick any word you like – preferably not a long one, but one that shows a difference from English – and write it on a board of some sort. Explain it, and have the children study it. Can they see exactly how to get it right? The children then look away from board, write with finger on sleeve. Who got it nearly right? Praise. Who got it dead right? Equal praise. Most will have it dead right, but another try is ok if not. Use this finger writing quite frequently so that children get used to observing closely, paying attention to detail, and getting things right. Children usually enjoy this. Praise for near misses is important, as it encourages attention to detail and second tries.
4. Gradually move to simple phrases and sentences, using the same modelling technique. Encourage all to try by praising near misses while giving the opportunity for second tries. As children become used to it, they can begin to write on whiteboards or scrap paper. They should only write in notebooks once they are confident that they can do so.
4. We fill out basic sentences with things children want to say – for example, they can write about their pets, their own family, things they like and don’t like. We provide the vocabulary they need for this and they practise as above.
5. We do not copy. Copying involves jerking the eyes back and forth from the original version to the child’s own copy. This jerking interferes with the development of understanding, as the focus of attention is constantly switching. The system presented here has the child hold the whole item in his or her mind, so that they develop an understanding of how words are put together.
6. Clicker (Cricksoft) is an excellent vehicle for sentence building. If it is not available, sentences can also be built from words on cards. Children should have writing partners to check each other’s work – it is better for them to improve their own work than for us to correct it.
7. I am happy to help in any way and welcome correspondence. Email: [email protected], weblog www.johnbald.typepad.com/language